The Cupid Who Hated Love: Difference between revisions
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(Created page with "Around Halloween 2019, Méliès-125 of the Crew of the Copper-Colored Cupids' Department of Cinematography was trying to shoot a horror film for the internal consumption of the Crew, ''The Cupid Who Hated Love''. He initially wanted Pessimist-242 for the title role, and, after Pessimist declined, attempted “to make do with a puppet made to ''look'' like Pessimist”. Although the likeness was “rather poor”, Méliès “insisted that this onl...") Tag: visualeditor-wikitext |
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Around [[Halloween]] 2019, [[Méliès-125]] of the [[Crew of the Copper-Colored Cupids]]' [[Department of Cinematography]] was trying to shoot a horror film for the internal consumption of the Crew, '' | {{DISPLAYTITLE:''The Cupid Who Hated Love''}}Around [[Halloween]] 2019, [[Méliès-125]] of the [[Crew of the Copper-Colored Cupids]]' [[Department of Cinematography]] was trying to shoot a horror film for the internal consumption of the Crew, '''''The Cupid Who Hated Love'''''. He initially wanted [[Pessimist-242]] for the title role, and, after Pessimist declined, attempted “to make do with a puppet made to ''look'' like Pessimist”. Although the likeness was “rather poor”, Méliès “insisted that this only added to the horror; the other actors were thus forced to tolerate its presence”. ([[PROSE]]: ''[[The Ghosts and the Machine (short story)|The Ghosts and the Machine]]'') | ||
[[Category:In-Universe Media]] | [[Category:In-Universe Media]] | ||
[[ | [[Category:Movies]] |
Latest revision as of 15:41, 20 April 2023
Around Halloween 2019, Méliès-125 of the Crew of the Copper-Colored Cupids' Department of Cinematography was trying to shoot a horror film for the internal consumption of the Crew, The Cupid Who Hated Love. He initially wanted Pessimist-242 for the title role, and, after Pessimist declined, attempted “to make do with a puppet made to look like Pessimist”. Although the likeness was “rather poor”, Méliès “insisted that this only added to the horror; the other actors were thus forced to tolerate its presence”. (PROSE: The Ghosts and the Machine)