Disney: Difference between revisions
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== Behind the scenes == | == Behind the scenes == | ||
The {{w|The Walt Disney Company|Walt Disney Company}}, often just “Disney”, is a media conglomerate which grew out of the Walt Disney animation studios. Though also owning media in various tones, styles and genres, the “central” Disney brand carries a popular image of unfailingly family-friendly entertainment, often softening the stories of the fairy tales they adapt into animated feature films to make them more “kid-friendly” or to better fit conventional narrative moulds. As a result, the slang phrase “Disneyfied” pejoratively refers to a reimagining of a preexisting work that makes its subject more formulaic and ordinary in an attempt to give it broader appeal than its source material. | The {{w|The Walt Disney Company|Walt Disney Company}}, often just “Disney”, is a media conglomerate which grew out of the Walt Disney animation studios. Though also owning media in various tones, styles and genres, the “central” Disney brand carries a popular image of unfailingly family-friendly entertainment, often softening the stories of the fairy tales they adapt into animated feature films to make them more “kid-friendly” or to better fit conventional narrative moulds. As a result, the slang phrase “Disneyfied” pejoratively refers to a reimagining of a preexisting work that makes its subject more formulaic and ordinary in an attempt to give it broader appeal than its source material. | ||
[[Dibbsy]] in ''[[A Series of Queer Events (short story)|A Series of Queer Events]]'' was an obvious satire of Disney. | |||
[[Category:Organisations]] | [[Category:Organisations]] | ||
Revision as of 22:53, 1 July 2022
DisneyIn Reality Z-25 31-H, Jenkins once accused the American film adaption of Pippi Longstocking of being “totally Disneyfied”. (COMIC: Journey Out Of Misery)
Behind the scenes
The Walt Disney Company, often just “Disney”, is a media conglomerate which grew out of the Walt Disney animation studios. Though also owning media in various tones, styles and genres, the “central” Disney brand carries a popular image of unfailingly family-friendly entertainment, often softening the stories of the fairy tales they adapt into animated feature films to make them more “kid-friendly” or to better fit conventional narrative moulds. As a result, the slang phrase “Disneyfied” pejoratively refers to a reimagining of a preexisting work that makes its subject more formulaic and ordinary in an attempt to give it broader appeal than its source material.
Dibbsy in A Series of Queer Events was an obvious satire of Disney.
